Identification is participation, or, incorporation; an exchange between desire and reality. A fantastic cosmos is the product of this exchange. An objective observer does not identify with its observations. To invest myself in the objects of my perception, is to give them mydesire. I experience varying degrees of identification with those objects of perception in that world outside myembodiedself.

How does an organism, or, a complex of nuclear cells become a mother? The organs are not simply conceptual organs, they are fantastic organs, and the human body that is the whole made up of the organs is not simply perceivable. Mother and child are images not concepts; fantasy arises in the exchange between thought and imagination. The real does not become imaginary, it is imaginary at the origin. A theater cannot evolve from a factory.

The human body is monstrous, " deviating from the natural order; unnatural," a body that hallucinates a self. The organs that make up the body of the monster are fantastic. The mouth, the anus, the penis, and the vagina are fantastic organs; genital organization is ego organization, the organization of myembodiedself, the monstrosity that is me.